Snake Eyes

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Story of Snake Eyes

Release Date: 23th July

Two new films arrive this Thursday to renew the film billboard in Paraguay: the action film G.I. Joe: Snake Eyes and the horror movie The Intruders.Snake Eyes is a reboot of the film adaptations of the popular G.I. Joe focusing on the iconic ninja who bears that name.Known only as "Snake Eyes", a young warrior is accepted by an ancient clan of Japanese ninjas, and has his first confrontation with the sinister terrorist organization Cobra.
Year    :   2021
By    :   United Atates of America
Slogan    :   «Some assembly required»
Genre    :   Adventure, Fantasy, Thriller, Action
Time    :   2h 1min. / 2:22
Budget    :   $220 000 000
Age    :   12+

Rating:   IMDb  / 8.5

Snake Eyes: G.I. Joe Origins Full Movie Plot Outline

Director Robert Schwentke, writers Evan among the premieres of the week is Snake Eyes: G.I. Joe Origins (also known simply as Snake Eyes) is an upcoming American superhero film12 and a spin-off of the G.I. Joe directed by Robert Schwentke. Henry Golding plays the main character, replacing Ray Park, who played him in the previous films, while Andrew Koji, Iko Uwais, Úrsula Corberó, Samara Weaving, and Peter Mensah act in supporting roles.

A mysterious lone fighter, known only as “Snake Eyes”, is greeted and trained by an ancient Japanese ninja clan named Arashikage, but discovers that his loyalty is put to the test when secrets from his past are revealed, as he finally makes his way towards becoming on the famous GI hero Joe.

When four years ago the prequel to A boss in diapers 2: Family Business (The Boss Baby: Family Business, 2021) hit theaters, the protagonist, with an air of Baby Herman, the baby of Who Framed Roger Rabbit ? (Who Framed Roger Rabbit, 1988), there was a nostalgic air that permeated, from the comedy, a spirit different from the story.

Tom McGrath takes command again, and the story begins with an adult Tim, juggling in his house, with his children, housework, while his wife is in charge of bringing the money to solve everything . Well, not only are women responsible for organizing the home, but the proposal is perceived as being so forced, that it only remains there.

That drawing of the character, administrator father, is made to contrast with his brother Ted, director of a powerful company, who only dedicates himself to work and nothing but work, and both worlds will reconnect after the little daughter of Tim, who also presents himself as a secret agent of Baby Corp, and will try to disarm the plan of the sinister Dr. Armstrong, whose objective is to eliminate the parents from the face of the earth.

Once again, on its own premises, even in its light plan, this animated comedy aimed at family audiences, exposes the contrast between what should be and what is politically correct. The highest point of an entertainment, in which throwing oneself in the face of generations seems to be only the objective, in an accomplice way in the room, and can arouse laughter, is quickly forgotten, once again weaving old narratives and losing the possibility of build an overpowering sequel.

A few minutes into the story, the loss of the nostalgic halo that its predecessor possessed is perceived, and that in the wink to Baby Herman, but also to Looney Tunes, anchored the grace of its story in the memory of something that was longed for and in the freshness with which Ted was presented as a clever businessman.

  • Director: Robert Schwentke
  • Writers Evan Spiliotopoulos (screenplay by) Joe Shrapnel, Anna Waterhouse
  • Production companies: Paramount PicturesMetro-Goldwyn-Mayer (MGM)Skydance Media
  • Country: Germany, United States of America, United Kingdom Production


Like every Thursday, the city’s cinemas add new films to their weekly programming. This time there are four premieres: Sinister Encounter, GI JOE: Snake Eyes, The Exorcism of Carmen Farías and A Boss in Diapers 2: Family Business. In addition, since Wednesday, the drive-ins reopened their doors offering moviegoers also premiere films.

Directed by Carl Strathie, the film follows the disappearance of an eight-year-old girl. Her family returns a year later to her hometown to celebrate a memorial in her name. That same afternoon, a series of strange lights appear in a nearby forest and the family suffers a disaster that changes their lives forever. The origin of the lights seems to come from aliens who, despite the first and terrifying appearances, end up guiding the family to the truth behind the disappearance of the little girl.

Snake Eyes is the third film in the film franchise that began with G.I. Joe: The Rise of Cobra (Stephen Sommers, 2009) and G.I. Joe: Retaliation (Jon Chu, 2013). This film deals with the story of one of the most important and mysterious characters of the G.I. Joe Team, Snake Eyes, starring Henry Golding and Úrsula Corberó.

Ursula Corberó has taken the step that every actor dreams of taking: seeing himself on the big screens in Hollywood. The Catalan does it from the hand of ‘Snake Eyes, the origin’ playing ‘Baroness’, a high-level member of the Cobra team, a dangerous terrorist organization. Úrsula will be in the film an influential villain, “disheveled” and of great strength. In fact, she highlights in an interview with Europa Press that she is “inspiring” to see women “in action”.

The film is about and is an introspective study of the past of one of the protagonists of the ‘G.I. Joe ‘, a lonely and mysterious ninja who goes by the pseudonym’ Snake Eyes’, played by Henry Holding. This character has to pass various tests of loyalty until secrets of his past are revealed, which will lead him to be the hero of the G.I. Joe.

The character of Corberó was already played by Siena Miller in the 2009 film, which starred Channing Tatum. For the Catalan actress it has been “a challenge”, because she has made her come out “of her comfort zone” of hers.

For the actress, in the interview with Europa Press, she supposes a “less suffered” role, since her previous role has been that of ‘Tokio’, in ‘La Casa de Papel’. “Although I love her very much, she is very intense, she is very tormented and lacks security. The Baroness is the opposite and that fascinated me.”

“It is necessary to allow female characters to make mistakes without that preventing them from continuing to love them and being able to empathize with them. Hopefully all those roles of powerful women serve as inspiration to the rest,” she said.

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